Kassel and New York: Bärenreiter Chapel Hill: Hinshaw Music. Scheide, edited by Paul Brainard and Ray Robinson, 209–20. In A Bach Tribute: Essays in Honor of William H. " O Jesu Christ, meins Lebens Licht: On the Transmission of a Bach Source and the Riddle of Its Origin". Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach, translated by Melvin P. ^ O Jesu Christ, mein's Lebens Licht, BWV 118: Scores at the International Music Score Library Project.^ His 1989 recording was made in St John's, Smith Square, London.Johann Sebastian Bach: His Life and Work. ^ "Something between a cantata movement and a motetic choral transcription".^ a b "Cantata BWV 118 O Jesu Christ, mein's Lebens Licht Commentary".(accessed via Highbeam Research, subscription required) ^ Dubins, Jerry Grames, Ronald (2013).Amsterdam Baroque Orchestra & Choir, Ton Koopman J.S."Funeral Cantatas (cantatas BWV 106, BWV 118b & BWV 198)". Greifswalde Bach Tage Choir / Bach-Orchester Berlin.It was subsequently included among the motets in the New Bach Edition in a volume edited by Konrad Ameln. The volume in question consisted of cantatas rather than motets and was edited by Alfred Dörffel. The work was published in 1876 in the first complete edition of Bach's works, the Bach-Gesellschaft Ausgabe. However, this performance was not included in the Bach Cantata Pilgrimage set of recordings. A notable outdoor performance was that of John Eliot Gardiner and the Monteverdi Choir, who performed it outside Iona Abbey to mark the 250th anniversary of Bach’s death. The available recordings of the piece (see section below) appear to have been performed indoors. The second version is more suitable for indoor acoustics.
#Licht bach portable
(The inclusion of an organ part suggests a performance at least partly indoors, but a portable organ may have been used). The first version is possibly intended for outdoor use where brass would be more effective than strings. The second version is for two litui, strings, organ continuo, and optionally three oboes and bassoon.It is for two litui (an instrument which one source contends was a "horn" and "trumpet-like"), cornett, three trombones, and organ The first version is unique among the Bach cantatas in not including strings, and also differs from the instrumentation of the motets, where that is specified.There are two versions of the instrumental scoring: The number of strophes sung would likely correspond to the length of the procession for which the work was used. It is structured as a chorus, O Jesu Christ, mein's Lebens Licht, comprising chorale strophes separated by repeated instrumental interludes. The accompaniment includes an ascending string motive. The lower voices of the choir sing counterpoint to the chorale melody line in the soprano. This work is a motet version of the chorale Ach Gott, wie manches Herzeleid. "O Jesu Christ, meins Lebens Licht" has been characterized as something between a cantata and a motet. The fact that the accompaniment exists in two versions suggests that there was a subsequent revival of the work in the 1740s. If you are not comfortable with us using this information, please review your settings before continuing your visit. The Count was Governor of Leipzig and known to Bach who had presented a couple of congratulatory works to him. Please know that cookies are required to operate and enhance our services as well as for advertising purposes. Bach-Stiftung olv.This work was written around 1736 or 1737, and so may have been premiered before the first known performance at the grave-side ceremony for Count Joachim Friedrich von Flemming on October 11, 1740. Philippe Herreweghe / Collegium Vocale Gent – ‘Meins Lebens Licht’ Cantatas BWV 45-198 & Motet BWV 118.Il Gusto Barocco olv Jörg Halubek – The Brandenburg Concertos BWV 1046-1051.Pieter-Jan Belder – English Suites BWV806-811.Anna Prohaska / Lautten Compagney – Bach Redemption.Bob van der Ent – Sonatas and Partitas for Violin Solo.Maarten Engeltjes / PRJCT Amsterdam – Nicht Mehr Hier.Akademie für Alte Musik – Brandenburger Concertos.Piotr Anderszewski – The Well-Tempered Clavier, Book II BWV 870-893.Goldberg Septett / Heribert Breuer – 9 per centīob van der Ent with his cd ‘Sonatas and Partitas for Violin Solo’ is the winner of BachCD 2021! Congratulations! Berlage Saxophone Quartet – 18 per centĤ. The cd’s with the most votes and percentages:ģ. The results were announced on Friday 24th December in Bach ad Infinitum, in the guide, here in this item and on our social media. This includes albums by musicians such as Hannes Minnaar, Maarten Engeltjes, Philippe Herreweghe and the Brodsky Quartet. The makers of Bach ad Infinitum chose this year no fewer than 16 lovely Bach cd’s.
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